By John Feather
This accomplished heritage (first released in 1987) covers the total interval within which books were revealed in Britain. even though Gutenberg had the sting over Caxton, England speedy tested itself within the vanguard of the overseas publication exchange. The gradual strategy of copying manuscripts gave solution to an more and more subtle alternate within the revealed note which introduced unique literature, translations, broadsheets and chapbooks or even the Bible in the purview of an more and more large slice of society. robust political forces endured to regulate the publication exchange for hundreds of years ahead of the main of freedom of opinion used to be demonstrated. within the 19th and early 20th centuries the contest from pirated united states variations - the place there have been no copyright legislation - supplied a robust chance to the exchange. this era additionally observed the increase of remaindering, affordable literature, and lots of different 'modern' gains of the alternate. the writer surveys most of these advancements, bringing his background as much as the current age.
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Additional info for A History of British Publishing
Printing provided a technol ogy which was able to satisfy an existing demand for books, but the demand did not cease when the first group of texts had been made available in print. Indeed, it was self-perpetuating, for the 24 BOOKS IN THE MARKETPLACE wider availability of books made it easier for more people to learn to read and then to retain the skill of literacy. In turn, that created a demand for more books in greater numbers, and it was because of that demand that the book trade became a flourishing and profitable occupation in the sixteenth century.
In turn, that created a demand for more books in greater numbers, and it was because of that demand that the book trade became a flourishing and profitable occupation in the sixteenth century. Endless reprints could not satisfy this growing market. Changing political and religious circumstances and changing tastes and fashions created a climate in which new books were needed, as well as more copies of the old ones. In turn, that meant that the publishers had to find authors who would write their books for them.
By the middle of the sixteenth century it was clear that if the trade was to be properly regulated and organised, as contemporary opinion held that every activity should be, new mechanisms would be needed to achieve that end. The mechanism which emerged was the Stationers’ Company — the Worshipful Company of Stationers of London, to give it its full title — whose history from the 1550s to the early eighteenth century is central to the wider history of British publishing and whose residual influence survived long after its legal position had been undermined.