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Beginner Photographer is the world’s oldest weekly journal for images lovers. With its special weekly layout, it's the first for information and electronic and picture apparatus exams. typical good points on reader portfolios, darkroom, electronic, black & white and photographer profiles ascertain all components of images are lined.

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Elders are constantly joking I thought he was too, so I laughed. , kept his family and children away from others during times of sickness. Tuberculosis and influenza were going around at this time. It was a few years before my grandfather’s birth in 1904 that smallpox was brought into the tribe again. These diseases killed many people within the tribe and also some of the individuals who are represented in these photographs. Van Schaick’s photographs preserve this difficult time in our history.

One of Van Schaick’s most iconic images of the Ho-Chunk is a photograph of two seated Ho-Chunk women, laughing with one’s arm wrapped around the other’s shoulder and their hands slightly raised. The viewer with an untrained eye is often drawn to this image because the women are joking, animated, and smiling. A closer look reveals that part of the photo has been retouched: in the women’s hands, etched out, is the shape of a whiskey bottle. Who etched the bottle out? Was it Van Schaick, or one of his assistants?

How do non-Ho-Chunk perceive these photographs? To what extent does the viewer place falsehoods or misconceived histories onto an image? When I look into the faces of the people within these photographs, I find that looking back are the faces of individual Ho-Chunk I see today. ” This ethnographic code for describing a people as a tribe cannot be applied to the Ho-Chunk, because our history, like many American Indian peoples’ histories, is so complex. ” When a Ho-Chunk looks at these photographs, we distinguish each family differently.

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