Download Anatomy live : performance and the operating theatre by Maaike Bleeker PDF

By Maaike Bleeker

Gross anatomy, the research of anatomical constructions that may be visible by means of unassisted imaginative and prescient, has lengthy been a subject matter of fascination for artists. for many sleek audience, besides the fact that, the anatomy lesson—the technically certain province of scientific surgeons and scientific faculties—hardly turns out the correct breeding flooring for the hybrid workings of paintings and conception. We put out of your mind that, in its early phases, anatomy pursued the hugely theatrical spirit of Renaissance technology, as painters reminiscent of Rembrandt and Da Vinci and clinical teachers like Fabricius of Aquapendente shared audiences dedicated to the workings of the human physique. Anatomy Live: Performance and the working Theatre, a impressive attention of latest advancements at the level, in addition to in modern writings of theorists resembling Donna Haraway and Brian Massumi, turns our smooth notions of the dissecting desk on its head—using anatomical theatre as a method of acquiring a clean standpoint on representations of the physique, conceptions of subjectivity, and personal wisdom approximately technological know-how and the level. seriously dissecting recognized exhibitions like Body Worlds and The obvious Human Project and that includes contributions from a couple of diversified students on such matters because the development of spectatorship and the consequences of anatomical background, Anatomy Live isn't to be overlooked via someone with an curiosity during this attractive intersection of technological know-how and creative practice.

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Extra resources for Anatomy live : performance and the operating theatre

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Anatomical Ritual and Renaissance Learning. Chicago, 1999. , ‘A Cultural Anatomy of the Visible Human Project ’. In: The Visible Woman. Imaging Technologies, Gender, and Science. P. A. Treichler, L. Cartwright and C. Penley (eds), pp. 21-43. New York, 1998. , ‘Tough Gestation for Virtual Embryo’. In: New Scientist, 152. 1996. , ‘Computerized Cadavers: Shades of Being and Representation in Virtual Reality’. Paper presented at the conference Biotechnology, Culture, and the Body. Milwaukee, University of Wisconsin, April 1997.

The Anatomical Theatre as a Public Spectacle In addition to having ties to the educational and justice systems, anatomical dissection also counts as an early form of mass entertainment – of public spectacle. Although this dimension virtually disappeared from anatomical practice after the late eighteenth century, it is surprising to find how the VHP has contributed to its return. In the sixteenth century, Vesalius’s dissections – giving rise to an empirical turn in anatomy – also induced a shift from private to public instruction.

In: New Scientist, 152. 1996. , ‘Computerized Cadavers: Shades of Being and Representation in Virtual Reality’. Paper presented at the conference Biotechnology, Culture, and the Body. Milwaukee, University of Wisconsin, April 1997. Edgerton, S. , Pictures and Punishment: Art and Criminal Prosecution during the Florentine Renaissance. Ithaca, 1985. , ‘Public Anatomy Lessons and the Carnival: The Anatomy Theatre of Bologna’. In: Past and Present, 117, pp. 50-106. 1987. , Dissection and Vivisection in the European Renaissance.

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