Download Clarissa Oakes (Aubrey/Maturin, Book 15) by Patrick O'Brian PDF

By Patrick O'Brian

The 15th Aubrey-Maturin novel within which Jack reveals himself re-united with the shock, yet dangerously out of contact along with his staff all of the components that experience made Patrick O'Brian's wonderful sequence some of the most hugely praised works in modern fiction are the following in 'Clarissa Oakes' -- the narrative grip, the impeccable ear for discussion, the humour and the unsurpassed potential to create and recreate a wealthy and precise friendship among males within the overdue eighteenth-century. Captain Jack Aubrey sails clear of the hated Australian legal colonies in his favorite vessel the shock, brooding about on center age and sexual frustration. He quickly turns into acutely aware that he's out of contact with the temper of his send: to his astonishment he unearths that during spite of a lifetime's event he doesn't be aware of what the key palms or perhaps his personal officials are pondering. They recognize, as he doesn't, that the shock has a stranger aboard: and what they, for his or her half, have no idea is that the stranger is in all probability as risky as a mild within the powder journal itself.

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Ebook Details:

ISBN: 0345441788
EAN: 9780345441782
ASIN: 0345441788
Publisher: Ballantine Books
Publication Date: 2001-07-03
Number of Pages: 784
Website: Amazon, LibraryThing, Google Books, Goodreads

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Additional info for Clarissa Oakes (Aubrey/Maturin, Book 15)

Example text

This dragon, they say his eyes are fire. His breath a white gas; you can see him burn across the dark lands. He runs with sulphur and thunder and kindles the grass. Sheep panic and die insane. Women deliver forth monsters. The dragon's fury is such that tower walls shake back to dust. His victims, at sunrise, are strewn hither and thither on the hills. ' 'More than enough! ' 'No, no,' whispered the second man, eyes shut. 'On this moor is no Time, is only Forever. I feel if I ran back on the road the town would be gone, the people yet unborn, things changed, the castles unquarried from the rocks, the timbers still uncut from the forests; don't ask how I know, the moor knows, and tells me.

Others? Yes, there were others. He could breakfast most congenially on Caravaggio still-lifes of autumn pears and midnight plums. For lunch: those fire-squirting, thick-wormed Van Gogh sunflowers, those blooms a blind man might read with one rush of scorched fingers down fiery canvas. But the great feast? The paintings he saved his palate for? There, filling the horizon, like Neptune risen, crowned with limewood, alabaster, coral, paintbrushes clenched like tridents in horn-nailed fists, and with fishtail vast enough to fluke summer showers out over all Gibraltar — who else but the creator of Girl Before a Mirror and Guernica.

The clothing store! The suit! ' Yelling, everyone ran from the pool-room. The woman's voice was still squeaking on the abandoned telephone. Martinez, left behind, reached out and hung the voice up. In the silence, he shook his head. 'Santos, what a dream! Six men,' he said, 'one suit. What will come of this? Madness? Debauchery? Murder? But I go with God. ' Martinez was young. He ran fast. Mr Shumway, of SHUMWAY'S SUNSHINE SUITS, paused while adjusting a tie-rack, aware of some subtle atmospheric change outside his establishment.

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