By Christa Davis Acampora
During this groundbreaking paintings, Christa Davis Acampora deals a profound rethinking of Friedrich Nietzsche’s an important suggestion of the agon. interpreting a magnificent array of fundamental and secondary assets and synthesizing a long time of Nietzsche scholarship, she indicates how the agon, or contest, prepared center parts of Nietzsche’s philosophy, supplying a brand new appreciation of the subtleties of his infamous perspectives approximately energy. by means of focusing so intensely in this specific guiding curiosity, she deals a thrilling, unique vantage from which to view this iconic philosopher: Contesting Nietzsche.
Though existence—viewed throughout the lens of Nietzsche’s agon—is fraught with fight, Acampora illuminates what Nietzsche well-known because the agon’s generative advantages. It imbues the human event with importance, that means, and price. examining Nietzsche’s embellishments of agonism—his comments on forms of contests, characteristics of contestants, and the stipulations within which both may perhaps thrive or deteriorate—she demonstrates how a lot the agon formed his philosophical tasks and important checks of others. The agon led him from one set of issues to the following, from aesthetics to metaphysics to ethics to psychology, through Homer, Socrates, Saint Paul, and Wagner. In exhibiting how one obsession catalyzed such a lot of diversified pursuits, Contesting Nietzsche sheds essentially new mild on a few of this philosopher’s so much tricky and paradoxical principles.
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Additional resources for Contesting Nietzsche
This would indeed be a very strong claim suggesting, in turn, that psychology (or cognitive science more generally) can never have any impact on phenomenology, just like the insights of the natural sciences supposedly never influence mathematics. However, such a strong or foundationalist reading is not necessary; indeed, it is rather misleading and factually implausible in both cases (that of mathematics and that of phenomenology). As an illustration, consider for example the mathematical insights of geometry.
In order for the map to represent the city, it is necessary that there is some structural resemblance between the two. For instance, the streets on the map must intersect with one another by the same angle as do the streets in the city, and so on. Structural resemblance may well not be enough to account for representation in its full sense; that is, maybe it is no sufficient condition. But it is a necessary one – and one which is obviously symmetrical. Accordingly, the conceptual separation of this symmetrical aspect or component involved in the relation between the perceptual and the physical is warranted (see also Debs and Redhead 2007: 15–17, 22–3, who discuss the same issue in the context of scientific representation).
Phenomenology does not talk about particular physical states but about perceptions, judgments, and so on (Hua XIX: 23). For the phenomenologist, even the physical existence of an object which appears in perception is ‘irrelevant to the true essence of the perceptual experience’ (Hua XIX: 396/F II: 104). A phenomenological investigation of perceiving, say, a brown table is not about whether the table exists in the physical world or not; nor is it about the brain states of the perceiver. Instead, it is about the structure of his or her perception (Hua XXIV: 220–2).