By Valerie Sanders
This examine specializes in the paintings of 4 Victorian anti-feminist girls writers - Eliza Lynn Linton, Charlotte M. Yonge, Mrs Humphry Ward, and Margaret Oliphant - reading their self-contradictory responses to the talk approximately women's position in relations existence and society. person chapters evaluate women's anti-feminism from 1792-1850, and clean readings in their best-known novels emphasize the inconsistencies in their masculine and female ideals.
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Additional info for Eve’s Renegades: Victorian Anti-Feminist Women Novelists
Mrs Ellis did her best to make her women readers feel sorry for men as somehow deprived of all this mystical power, and obliged to mix in the dull or corrupting world of work. She advised the wives and daughters who read her books to be largely silent in company, accept the social restrictions imposed by good society, and avoid any desire for distinction. Her methods seem to have worked, if the reactions of Flora Tristan, a French visitor to England in the late 1830s, are anything to go by. '19 · Yet the difference between ordinary women and authors was perhaps less noticeable than Flora Tristan assumed.
H. H. Hutton, who associated her with small-scale perfection, perceptive delineation of character, and English ladyhood. Like their contemporaries, Yonge, Linton, Oliphant and Ward needed to come to terms with their literary foremothers as their careers developed, and as their relationships with their own real mothers became less prominent in their lives. How they read their foremothers throws light on their evolution as women writers and on their contradictory responses to the different aspects of the women's movement as it developed during their lifetimes.
It was at this point - at what might be deemed the lull before the anti-feminist storm, that Elizabeth Lynn, a clergyman's daughter from the Lake District, who had won the freedom to live in London, read in the British Museum, and write novels, published an article on Mary Wollstonecraft in the radical journal The English Republic (1854). Perhaps, as her biographer Nancy Fix Anderson suggests, the significance of this article should not be overstressed, since her support for Wollstonecraft is implicitly cancelled out by an anti-feminist article, 'Rights and Wrongs of Women', published the same year in Household Words.