By David Krell
Validated students and interpreters are introduced jointly during this ebook to give a variety of unique readings of Nietzsche.
Read or Download Exceedingly Nietzsche: Aspects of Contemporary Nietzsche-Interpretation (Warwick Studies in Philosophy and Literature, Volume 1) PDF
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Extra resources for Exceedingly Nietzsche: Aspects of Contemporary Nietzsche-Interpretation (Warwick Studies in Philosophy and Literature, Volume 1)
P . 98 I b i d . , p . , p . 99 Grossok tav Ausgabe, Leipzig, Kroner, 1 9 1 7, IX, p . 2), 1 hereafter GA WPA , p. , § 802 Werke: Kritische Gesam tausgabe, ed. Colli & Montinari, Berlin, 29 M USIC, MADNESS A ND META PHYSICS 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 Walter de Gruyter, 1 97 3 , V I I , 3, p . 3 5 . See also I b i d . , p . 3 4 . This edition hereafter cited as Werke. Werke, VII, 3, p . , § 852 I b i d . , § 852 I b i d .
It is Stimmung which determ ines whether we are a ffected, whether we h ave wh at Aristotle calls tes psyches, a ffections of the soul. Stimmungen pathemata Dasein mean that is receptive towards its own being-in-the-world. This receptiveness is not a determinism. To say that the bodily state is Stimmung means therefore that the body goes beyond itself towa rds the psych ic, as it opens up to the worl d . ' 12 Th is opening up is not voluntary and is not decided. With respect to Nietzsche's position, one wonders whether Heidegger does not minimize two i mportant elements : 1.
Beauty as an attuning thoroughly determines the state o f m a n . '5 Although he is not speaking here o f beauty i n itself, since 'beauty is not the obj ect of a pure representation ' , i t is the eidos, he says, in its origina l meaning o f t h e face or aspect o f w h a t shows itsel f, which produces the extraordinary force o f rapture. Rapture corresponds 15 M USIC, MADNESS A ND META PH YSICS a n d responds to the unconce a lment of Being. Thus rapture, writes Heidegger, 'explodes the very subj ectivity of the subj ect .