By Laura Salisbury, Andrew Shail
As humans of the fashionable period have been singularly vulnerable to worried issues, the frightened approach turned a version for describing political and social association. This quantity untangles the mutual dependencies of medical neurology and the cultural attitudes of the interval 1800-1950, exploring how and why modernity used to be a essentially apprehensive kingdom.
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Additional info for Neurology and Modernity: A Cultural History of Nervous Systems, 1800–1950
Nerves were measured on, and understood in terms of, an axis – time – the representability of which had been established by the new speeds and frequencies achieved by modernity’s pumps, springs, joists, derricks, engines, factories, work crews, transportation networks and communications links (see Doane 4). And as the discourses of a technological modernity achieved dominance, so a model of the body appropriate to its priorities came into being. The body was found to be regulated by limited energies rather than, as in the humoural model, a balance of theoretically unlimited forces.
Jean Walton proposes that the idea of the independent thinking of the enteric nervous system or ‘second brain’ was vital in generating our modern notion of habit, and was structurally implicated within modernity’s conception of time as a surplus that could be tied to capitalist theories of production. Finally, for Melissa M. Littleﬁeld, multiple endeavours to ﬁnd the consciousness-speciﬁc substance of thought, a Laura Salisbury and Andrew Shail 37 ‘mind particle’, drew authority from modernity’s obsession with the production of material explanations of mental functioning.
London: Pickering, 1839. Rousseau, George. Nervous Acts: Essays on Literature, Culture and Sensibility. Basingstoke: Palgrave, 2004. Shepherd, Gordon. Foundations of the Neuron Doctrine. Oxford: Oxford UP, 1991. Sheridan, Thomas. A General Dictionary of the English Language. London: J Dodsley, 1780. Sherrington, Charles. The Integrative Action of the Nervous System. London: Constable, 1906. Sinclair, May. ’ April 1918. The Gender of Modernism. Ed. Bonnie Kime Scott. Bloomington: Indiana UP, 1990.